Since your last interview with us, how has your musical journey evolved?
My journey has taken some exciting new turns. Lately, I’ve been leaning more into shred guitar with a darker, heavier edge—blending in more death and black metal influences, rather than focusing purely on neoclassical like I used to. I’ve also been riffing a lot more and pushing my writing in new directions. One of the biggest changes is that I recently joined a band called Area 51, and it’s opened up an entirely new creative chapter for me.
What can you tell us about your latest or upcoming releases—any new sounds, themes, or stories?
Sacred Symphony just dropped six new instrumental tracks, and they’re available now for streaming. Each one comes with bold, eye-catching artwork that adds a visual layer to the music. With Area 51, we’re in the thick of recording our debut album, produced by Joost van den Broek. It’s been amazing—this band blends a mix of genres in a way that’s really refreshing and inspiring as both a guitarist and songwriter.
I’m also working on my debut solo EP—a collection of neoclassical-inspired instrumentals. And there’s a brand-new project in the works, but that one’s still under wraps for now. All I can say is it’s something I’m incredibly excited about… and it’ll be revealed soon enough.

How do you stay inspired creatively, especially during tougher times or plateaus?




